Origin And Importance Of Rattan Weaving Cultural Studies Essay

Origin And Importance Of Rattan Weaving Cultural Studies EssayA handed-down mode of occupation to some of our local concourse. almostly the weavers atomic number 18 blind people which had been trained by Ministry of Welf ar to give this people a chance to earn and control living with this job.It is also peerless of Terengganu famous craft that arouse be bought as a me manpowerto or advise be use in a insouciant work.Its is champion way of diversifying the go acrossicraft p retinal roducts and develop this family business into a more systematic industry producing big term, naughty alkaliard superior products, that atomic number 18 able to penetrate the tourist and commercial markets.Mengkuang (screw pine leaves) or screw pine weaving is genius of the traditional arts still in truth oft alive and its products ar still in de servicemand. The Mengkuang and pandan leaves atomic number 18 found copiousness in the local jungles.The leaves be first cut in capaciou s strips and dried in the sun. Once dried, it is boiled and dyed with vegetable colours. hushed using the traditional weaving techniques, the mengkuang or pandan leaves are coiled, plaited, twined and twine to wee beautifully products such as mats, conical food covers, grocery bags, hand fans, baskets, tissue decorative boxes, hats, handbags, slippers, purses and pencil cases.The potential of Mengkuang/pandan has been tapped into and creating increasing demands by tourists and locals. The Mengkuang/pandan holy products are widely available at the Central food market and souvenir shops.Wau MakingWau (pronounce as wow) feces appear in all shapes and size of it but the most popular and famous increase is the moon kite (Wau Bulan) and cat kite (Wau Kucing) in the east coast. Kite making requires exertion and tremendous skill. Bamboo volition be cut and make into the frame or skeleton of the kite. The best time to cut the bamboo is in November or celestial latitude and this d epart be kept for 10 months before it is split and ludicrous in water followed by heated to straighten and toughen. On the early(a) hand, designs are traced on a tinted and shiny glazed paper and thence carefully cut egress and pasted on paper which is attach to the bamboo skeleton.The designs are normally flowers with vines which signifies women (flower) and man (vine), eg. if the flowers are in bud form, it symbolizes a young woman etc.In some older designs, flowers were care gaunt from the side and okay to recreate the shy and reserved privateity of female in those long time whereas for the vines, the more meandering the vines, the more twists and turns in a mans life. on that point are also waus that are make using the hand-dye technique or painted by hand-dye artists and the designs are ceaselessly more creative and less formalized by tradition.It is never an light job to fly a Wau kite into the sky. A traditional Wau can be as big as 3.5m in height and 2.5 m w ing span and unremarkably needs the help of a class of person to bring it to the sky. To choose a good kite, you should look at the harmonious colours matched and the flowers as well as the vines drawn which represent the inner state of the kite haver.In a windy day, a Wau can fly up to 450m into the sky.batikHand drawn batik is an mincing and delicate art which requires skill, patience, meticulousness, flair and creativity. Batik is intrinsic to the mode world, be it in cotton or silk or in the making of sarongs, scarf, pareos, shirts, shorts, handbags, purses and scour shoes.Terengganu batik shows originality and is not commercialised thus, retaining its price for the quality of the solid and the elegance of the designs.A additional climb on is mixed with amber and boiled over a slow fire to maintain the optimum temperature. On white cotton or silk fabrics, a special copper cantillate pen dipped with the wax.The designs reflect nature-based motifs such as floral prints and oceanic life to produce a freestyle handrawn motifs.Each drawings are different. Another order is by using either tin, copper or brass pile print stamped with flowers or abstract designs. They are first dipped into the wax and then utilise to print the designs on the white fabrics.Colours will be added after the wax had dried. Different colours can be added without spreading onto other parts as the wax creates sections within the designs. The fabrics will then dipped in boiling water to wash stumble the wax and to strengthen the colours before the batik can be do into different products.The elegant prints stand out on mens shirts and womens dresses. Batik souvenirs include pareos, scarfs, wall panels, neckties, handbags, purses and shoes. Contemporary batik designs are also beingness introduced as designer wear, to alleviate batik to exclusive international standards.Batiks are available at various shops peculiarly at the important market. cod out though for low qualit y batik sold at exorbitant price.The colours are easily come out off, usually on the first wash. Buying at an established batik shops therefore guarantees the quality of the products.SongketThe origins of the many different colourful and traditional textile are befogged in antiquity. The art of songket weaving consist of using traditional heirloom to make intricate songket brocade through painstaking weaving with favourable or silver threads. Songket is a rich fabric that is worn only on auspicious occasions and used to be the textiles of royalty. It is now the headgear of Sultans, question Ministers and the States Cabinet members.The weaving process usually takes a few age for normal and simple designs songket stuff but for more intricate designs, usually takes more than two weeks and can costs thousands of Malaysian Ringgit. Several shops in Kuala Terengganu sell this regal fabric that comes in an array of both vibrant and pastel shades.The elegant and exquisite songket is slowly being introduced into the international manner scene by adapting it to a more contemporary style.Wood cutting offWood carving was originally found in houses of sulatans or Malay nobility as part of their interior decoration and the craftsmen were commissi mavend for their services. Because homosexual depiction is prohibited in Islam, Malay timberland carving gets its exc contingentent from flora, animal motif and Islamic art but this has never mildew its finest artistically designs. Terengganu wood carving not only found in the beams, doorways, window shutters of a house, but also in the traditional ride making industry and some furniture items such as sofa, kip down frame and mirror frame and as small as a jewelry box.BrasswareThe people in Terengganu are well known for their creativeness. A simple item will turn into a most exquisite and delicate article by their hands. Brassware is generally a cottage activity. It is very usual that the son will learn the skill an d trading dodging from his father whom had also learned from his father and later brings forth to the following(a) generations. Regardless whether it is from silver, wood or pewter, brassware like vases, ashtrays, jugs, candle stands, napkin holders, filagree jewellery, incense burners etc are turned into a bandage of fine and presentable art and at the same time with practical usage. This is why brassware is ever so one of the ideal surveniors that one can bring home. It is believed that the skills were taught to the local fellowship by Chinese settlers from Funan. The lost-wax method is usually employed, though sandcasting is also used. At the Central Market, or Pasar Payang, located by the Terengganu river, brassware is sold amongst many other enticements.Keris MakingThis double edged wavy blade dagger is the alike with the Malay culture and way of life. In the ancient time, a man walks without a keris was akin to walking rough in naked. In those days, keris was constan tly believed to be endowed with mystical powers and guardian spirit, this makes it serves the function as arm to defend oneself in a combat and to use for medicinal purposes. There are handful of Malay legendaries about keris. The famous among these will be the keris of Hang Tuah who is the Malay hero during the Sultanate of Melaka. Hang Tuahs keris, Taming Sari was presented by the major power of Majapahit to Sultan of Melaka after Hang Tuah won in a challenge. This keris was believed to bemuse endowed with powerful spirit. Whoever possesses this keris would attain invulnerability. There was a story reflection that Hang Tuah killed his childhood friend, Hang Jebat because of being disloyal to the Sultan with this Taming Sari. He was very ashamed to prolong killed his own childhood friend in the name of loyalty, therefore he then returned the keris to the Sultan. There is always play and adventure and nobility in a keris. Because of being so precious, keris is always gamely v alued and treated with special care.Keris has two kind of shapes keris lurus (straight keris) and keris luk (meandering keris). Empu, the keris maker will make the dagger accordance with the wish of consumer. Whether straight or luk, this will only be done during which the nickel inserted iron rod is repeatedly being forged and smoldered.The fluid design of the blade makes the keris stand out as a unique dagger-like machine. Its ornate cut palm also provides for a strong grip. It is no wonder that the keris is one of the oldest of personal weapons.Made from the combination of eight to ten different metals, the spiritual qualities of the keris are known to include the spirits of warriors. Some myths even warn that sure lethal daggers should never be simply removed from their sheaths for their blades must thwack billet before being inserted again.Keris making is considered as a destruction art in Malaysia, however encounter to the keris making centre in Kampung Pasir Panjang a nd Kampung Ladang Titian in Kuala Terengganu is still worth. Here you can see how a piece of raw iron is to turn into this significance and meaning rich weapon. You can also purchase you own piece of keris collection with relatively catchpenny(prenominal) price.Beaded necklacesThe Rungus, the natives of the Kudat area, have long been known to produce beautiful bead necklaces they wear long, broad multi-stranded pinakol crossed over their shoulders over their traditional grim costumes interweave with gold thread. Patterns on the strands tell of ancient fables, and human figures are picked out in bright hues in the beadwork. Ever-enterprising, the Rungus today produce bangles, earrings and even brooches to go with the necklaces.ParangThe parang is still crafted in traditional ways by the Bajau from Kota Belud. The ones made by them these days are usually from scrap iron, which goes though a process of melting, pounding, shaping and finally polishing. The blades are straight and tape red, from a precipitant tip widening up towards the hilt. Some may have patterns engraved into the metal along the topside. The hilt and sheath are carved from of wood, and occasionally one can come across an antique parang with a wonderfully carved hilt of horn. In days gone by, the parang was used as a weapon as well as a work tool, but these days it is mainly a decorative item for display. Tudung DuangTudung Duang is the local name for a food cover in the tropics, like in Sabah, food on the table has to be protected from insects and dust. One is instantly attracted to them because of their bright colours, especially when they are laid out on pandan (screw pine leaf) mats in high piles, like at the Kota Belud Tamu grounds on the weekly Sunday Market (tamu).Native hatBy the shape of a native hat, and its patterns, one can immediately identify the wearer to which heathenish entity he or she belongs. Most hats here are steeply conical and have nature-derived designs on them. Murut hats woven from the strips of sombituon bamboo are hexagonal in shape with a three-bands patterned weaving. Hats from Penampang and Tuaran have wider, circular bases with geometrical designs. All these hats are crafted from bamboo and rattan strips, and the red and obscure colours used to be natural dyes red from the mengkudu root, or dragons blood which is obtained from the fruit of a climbing rattan, and black from the leaves and stalks of the indigo plant. The Murut from the Nabawan area are now reproducing their hats in scaled-down sizes, showing their skill and craftsmanship in the highly delicate weaving.Lipa-lipaBajau sailboats, the lipa-lipa, carved from wood, and blowpipes used by Murut on hunting trips are available in many handicraft shops. The tambu-tambu wood is the main wood used in making the lipa-lipa, apart from mata-mata and gangil. A traditional lipa-lipa is in an elaborate way carved. The designs are based on the motifs of plants, namely the kembang tuli or d ahan and kellong. The blowpipe, or sumpitan, can be made of bamboo or hardwood. In the latter case the central duct has been drilled through in a long, manual process. claywarePottery has a long tradition in Sabah, and ancient Chinese jars, or tajau, were once even used to bury the dead. The Murut especially nurture and value their heirloom jars, in which they still ferment tapai their traditional rice wine. If you visit some of the antique shops in KKs major shopping malls you might come across nice Ming Dynasty vases better still, you admire antique jars that are kept in the houses of the locals (like in the picture left). On the way to Tuaran, there are several potteries manufacturing nice vases and plates, as well as other kinsperson items made from clay.Kain dastar RinagoThere are over 32 different ethnic entities in Sabah, and all of them have their own, sometimes specialised handicraft. Many more traditional items appeal to visitors to Sabah, such as the richly woven kain dastar, a piece of fabric used as headgear by the men of certain ethnic communities such as the Kadazan and Dusun and the rinago trays and boxes made of rattan and lingkong, a type of fern that produces long, very tough strands ideal for weaving. The latter is made by the Rungus people.SilverwareThe Malay Kelantanese are well known for their Silverware making skills. These skills have been around for centuries, influenced by the Hindu and Islamic Civilization famous for well crafted items from gold and copper.CopperworkThis is a skilled handiwork still flourishing in Terengganu. handed-down techniques are still being used in most processes though machines have been introduced to replace some processes. Copperware products include tepak sireh, candle holders, wedding endow trays, ember holder, pahar and others.CeramicCeramic art is a craftwork using high quality clay that is kneaded, decorated with a variety of motif, and fire-dried in kilns to produce fine ceramic products.BeadTh e indigenous people of Sarawak have since long ago been associated with beadwork for adornment as well as for ceremonial purposes. Here, form tradition goes back to the very remote past. The variety of beads, the materials from which they are made , their colours and the values attributed, all make up an interesting converse and discussion. Beads, today, are used in many different ways and one can see government officials using them as gifts and garlands for different functions and events as well.Pua KumbuPua Kumbu is a traditional patterned multicolored ceremonial cotton cloth used by the Iban, made and used in Sarawak, Malaysia. Pua kumbu are woven by Dayak women and are considered to be sacred objects. They are used for lifecycle rituals and special events including the birth of a child, coming of age celebrations, receipt of an important item to a longhouse, and to screen a corpse that is being laid out in a longhouse prior to burial.Labu sayongLabu Sayong is a black-coloured gourd-shaped clay jar typically used to store and cool water. The state of Perak is renowned for this type of pottery.Belanga effectuate in many rural Malaysian homes, The belangais oftencharacterised by a round base and wide rim. It is often used to cook curries, as it is believed that its round base allows heat to be distributed more evenly.TerenangThis angular-shaped jar is popularly used for storing water in the states of Pahang and Terengganu. It has a concave neck and a convex body.TekatThe art of embroidering golden thread onto a base material, generally velvet, was traditionally used to decorate traditional Malay weddings regalia.KerongsangA three-piece brooch set traditionally used to pin the lapels of the baju kebaya together. Kerongsang usually comes in sets of three. The typical three-piece set comprises of a kerongsang ibu (mother piece) which is larger and heavier. The other two are called the kerongsang anak (child pieces) and are worn below the kerongsang ibu.Cucuk S anggulA traditional hairpin used to secure hair in a bun at the back of womens heads. Typically made of gold or silver, these hairpins are normally worn in graduated sets of three, five or seven by brides and traditional dancers.PendingA large, intricately ornamented belt buckle worn around the sampin, a skirt-like cloth worn by men, to complement their baju melayu, the traditional attire for men. Traditionally, the pending is a sign of wealth and status for men.