Imagery: Throughout the novel, The Handmaids Tale, Marg art Atwood presents an astonishing amount of vivid vision and description that makes up the style and flow of the novel. Perhaps the beginning images present in the novel are that of light and no-good. Listed in the table of contents, the reader can see that nearly either opposite section is entitled Night. Night is usually associated with lousiness and fear, although to Offred this connotation is only half true. It seems that only in the dark can the characters of the novel move around and be salvage without the fear of being caught. Its in the darkness of her room that Offred remembers her behavior prior to the Gilead regime, often recalling her old friends and family members such as Moira, Luke, Offreds lady friend and even her mother. Offred tends to bring up Moira more than any other character during these nostalgic glimpses because she was the most rebellious. An example of her conflict with the Gilead regime is subtly stated prior to the regime itself when Offred mentions that Moira is a sapphic: shed decided to prefer woman (222). The fact that Moira is a sapphic is a huge problem against the Gilead government considering that their purpose is to hold male and female relations.
This type of information would have to be expressed by the cover of night because of its obvious conflict. Additionally, prohibit meetings between Offred and the Commander are even organized down the stairs the cover of night. A relationship between Offred and Nick are even sparked at night. On one occasion their thirstiness for each other is apparent in just a glance: Down there on the lawn...Nick. We look at each other. I have no rose to toss, he has no lute. But its the same kind of...
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